The History Of Musique Concrete at Rochelle Hearne blog

The History Of Musique Concrete. The idea behind musique concrète is that the composer begins with a set of “concrete” sounds and. Its originator, leading researcher and articulate spokesman. “concrète” referred to the raw sound material used, like the whistling, chuffing and rattling noises emitted by steam locomotives that schaeffer reworked in his famous 1948. The history of the concept permits us to understand how it evolved and how its. Defined as music created using recorded sound as source material (ie ‘concrete’ sound sources rather than musical instruments), musique concrète grew out of an experimental environment as recording equipment slowly became more commonplace. “concrete music”), experimental technique of musical composition using recorded sounds as raw material. Musique concrete emerged in paris in 1948 at the rtf (radio television francais).

concrète (musique) YouTube
from www.youtube.com

The idea behind musique concrète is that the composer begins with a set of “concrete” sounds and. Musique concrete emerged in paris in 1948 at the rtf (radio television francais). “concrète” referred to the raw sound material used, like the whistling, chuffing and rattling noises emitted by steam locomotives that schaeffer reworked in his famous 1948. Its originator, leading researcher and articulate spokesman. The history of the concept permits us to understand how it evolved and how its. Defined as music created using recorded sound as source material (ie ‘concrete’ sound sources rather than musical instruments), musique concrète grew out of an experimental environment as recording equipment slowly became more commonplace. “concrete music”), experimental technique of musical composition using recorded sounds as raw material.

concrète (musique) YouTube

The History Of Musique Concrete Musique concrete emerged in paris in 1948 at the rtf (radio television francais). “concrete music”), experimental technique of musical composition using recorded sounds as raw material. “concrète” referred to the raw sound material used, like the whistling, chuffing and rattling noises emitted by steam locomotives that schaeffer reworked in his famous 1948. Musique concrete emerged in paris in 1948 at the rtf (radio television francais). The idea behind musique concrète is that the composer begins with a set of “concrete” sounds and. The history of the concept permits us to understand how it evolved and how its. Defined as music created using recorded sound as source material (ie ‘concrete’ sound sources rather than musical instruments), musique concrète grew out of an experimental environment as recording equipment slowly became more commonplace. Its originator, leading researcher and articulate spokesman.

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